Her son, Augusto J. Algueró, introduced the dying in a press release shared with Spain’s Europa Press information company. She had Alzheimer’s illness and was residing at a nursing dwelling in Madrid.
Ms. Sevilla was a glamorous queen of Nineteen Fifties and ’60s Spanish movie, drawing comparisons to actress Ava Gardner together with her sculptured options, flowing darkish hair and high-arching eyebrows. Admirers nicknamed her “la novia de España,” the bride or sweetheart of Spain, and her followers included Pope John XXIII, who despatched a congratulatory telegram when she married composer and conductor Augusto Algueró in 1961, at a marriage ceremony ceremony that reportedly attracted tens of hundreds of individuals to the plaza outdoors the cathedral in Zaragoza.
Working primarily in Europe and Mexico, Ms. Sevilla appeared in additional than 60 motion pictures, starring in musicals together with “Imperial Violets” (1952), with the Spanish tenor Luis Mariano, and dramas resembling “Vengeance” (1958), which was directed by Juan Antonio Bardem and acquired an Oscar nomination for finest foreign-language movie.
Early in her profession, she prided herself on taking part in chaste ladies such because the title character in “Sister San Sulpicio” (1952), about an Andalusian nun who’s barred by her religion from marrying the person she loves (Jorge Mistral). Ms. Sevilla sought to keep up that decorous display persona in her personal life and largely steered away from drama and gossip, as Hollywood columnist Joe Hyams found in 1956.
Accompanying Ms. Sevilla to a movie set close to Madrid, he requested a neighborhood to elucidate the actress’s reputation. “In Spain,” he was instructed, “to be glamorous is to be with out scandal. Carmen is untouched by scandal. She can also be of the folks. She is the proper lady.”
Lots of her movies, a minimum of, had been removed from good. “Don Juan” (1956), a interval comedy through which she appeared reverse the French comic Fernandel, was dismissed as bland and uninspired. “Spanish Affair” (1957), an English-language drama through which she romanced Broadway actor Richard Kiley, was additionally coolly acquired, though American critics had been by then praising Ms. Sevilla for her appearing.
“For generations Spain’s dramatic favorites have sprung from the folks and have sought to retain the frequent contact. Miss Sevilla has this contact,” the New York Instances declared in 1957, for an article on “film queens” all over the world.
A couple of years later, she was solid in director Nicholas Ray’s “King of Kings,” a lavish widescreen spectacle filmed in Spain with hundreds of extras. The movie instructed the story of Jesus from the manger to the resurrection; Ms. Sevilla, as Mary Magdalene, found the empty tomb. She later had a supporting position in one other English-language epic, taking part in Octavia in Charlton Heston’s adaptation of Shakespeare’s “Antony and Cleopatra” (1972). As soon as once more, she didn’t should journey outdoors Spain to make the movie, though it was so poorly acquired it was by no means given a large launch in the US.
As a brand new era of Spanish filmmakers examined the boundaries of state censorship close to the tip of Francisco Franco’s dictatorship, Ms. Sevilla started taking extra adventurous roles, together with in psychological thrillers resembling director Eloy de la Iglesia’s “The Glass Ceiling” (1971).
However for essentially the most half she discovered higher success in music, recording coplas, boleros and tangos, typically in collaboration with Algueró, her first husband. Close to the peak of her fame in 1965, she carried out certainly one of her husband’s songs, “Estando contigo,” on “The Ed Sullivan Present,” making what was then a uncommon look for a Spanish entertainer on American tv.
Ms. Sevilla reinvented herself as soon as extra within the early Nineties, changing into an affable staple of Spanish tv. She offered reveals for 3 main broadcasters, at instances serving to to ring within the New Yr on-air, and continued to look recurrently till her retirement in 2010 at age 80, the yr after she was recognized with Alzheimer’s.
“The spouse of Spain managed to evolve into the nationwide grandmother, charming a number of generations, whereas lots of her contemporaries had been forgotten,” journalist Valeria Vegas wrote in a tribute for the Madrid newspaper El País. “For the historical past of Spanish common tradition,” Vegas added, “she is going to at all times be everlasting.”
María del Carmen García Galisteo was born in Seville, Spain, on Oct. 16, 1930. After the Spanish Civil Struggle resulted in 1939, Ms. Sevilla and her household moved to Madrid. Via her father, a songwriter and composer who labored within the motion pictures, she met the actress and singer Estrellita Castro, who grew to become a mentor and helped launch her profession.
At 16, she made her movie debut with a small position in “Spanish Serenade” (1947), directed by Juan de Orduña. She landed her first starring position two years later, reverse the Mexican singing star Jorge Negrete in “Jalisco Sings in Seville,” and was later featured reverse Pedro Infante in “You Needed to Be a Gypsy” (1953) and because the indomitable title character in Shakespeare’s “The Taming of the Shrew” (1956), with Alberto Closas and music by Algueró, whom she met on the set.
Her different movie credit included “Desert Warrior” (1957), with Ricardo Montalbán, and “The Balcony of the Moon” (1962), with Paquita Rico and the singer and movie star Lola Flores, certainly one of her closest associates.
Ms. Sevilla’s marriage to Algueró, with whom she had her son, resulted in divorce in 1974. In 1985, she married Vicente Patuel, a businessman who owned film theaters. They settled on a farm close to Herrera del Duque, and raised sheep earlier than his dying in 2000.
Full info on survivors was not instantly obtainable.
“We lived, we suffered, we laughed,” Ms. Sevilla mentioned in 2002, trying again on the agricultural life she constructed for herself with Patuel. If it was a departure from her show-business profession, it was additionally, she mentioned, “one thing that was paradise for us.”